• Projects
  • Publications
  • Teaching

Author

„Musik über Stimmen. Vokalinterpretinnen und -interpreten der 1950er und 60er Jahre im Fokus hybrider Forschung“, Hofheim: Wolke 2022.

„Stimme. Die frühen Jahre in Darmstadt“, in: Wort, Ton, Gestalt: Stimme – Ausdruck – Philosophie. Hrsg. von Violetta L. Waibel. Sammelband der Beiträge des KonzertSymposions am 25./26. November 2018 unter Leitung von Violetta L. Waibel, in Verbindung mit Salome Kammer (Sprechkünstlerin, Sängerin) und Wien Modern 2018, Fink Verlag (forthcoming).

„Experiment Stimme“ in: Thomas Seedorf/ Nils Grosch (Ed.), Handbuch des Gesangs, Laaber: Laaber (Oct. 2021).

„‚Für wen singen wir eigentlich?‘. Carla Henius und Jacques Wildberger“, in: Michael Kunkel (Ed.), Das linke Ohr. Der Komponist Jacques Wildberger, Friedberg: Pfau 2021.

„Processes and Communication in Sylvano Bussotti’s Voix de femme”, in: Daniela Tortora (Ed.), The Theaters of Sylvano Bussotti, Turnhout: Brepols Publishers 2020.

„Nicht zum Singen bestimmt. Ansätze zur vokalen Aufführungspraxis von Arnold Schönbergs Pierrot lunaire (1912) und Peter Maxwell Davies' Eight Songs for a Mad King (1969)“, in: Ute Omonsky (Ed.), Das Melodram in Geschichte und Aufführungspraxis, XLIII. Wissenschaftliche Arbeitstagung (= Michaelsteiner Konferenzberichte), Augsburg: Wißner 2020.

„Voix de femme. Parallelexistenzen eines Vokalportraits“, in: Anne-May Krüger/Leo Dick (Ed.), Performing Voice. Vokalität im Fokus angewandter Interpretationsforschung, Friedberg: Pfau 2019.

„If Something Else Works – Do it”. Peter Maxwell Davies’ und Roy Harts Eight Songs for a Mad King“, in: Anne-May Krüger/Leo Dick (Ed.), Performing Voice. Vokalität im Fokus angewandter Interpretationsforschung, Friedberg: Pfau 2019.

„Artistic Research – Sylvano Bussottis ‚Voix de femme’“ in: Neue Zeitschrift für Musik, Nr. 4, Juli 2016.

„If Something Else Works – Do it”. Peter Maxwell Davies’ und Roy Harts Eight Songs for a Mad King“, Dissonance 127, 2014. (peer-reviewed)

Editor

Performing Voice. Vokalität im Fokus angewandter Interpretationsforschung, Friedberg: Pfau 2019 (together with Leo Dick).

Journalism

„Die Nacht ist eine Metapher für verlorene Utopien. Gespräch zu ‚Nacht’ mit dem Komponisten Georg Friedrich Haas“, in: Basellandschaftliche Zeitung, 22.10.2011 (together with Remo Schnyder)

Various

„Cathy Berberian“, „Meredith Monk“, „Extended Vocal Techniques“, Lexikonartikel in: Thomas Seedorf/Ann-Christine Mecke/Martin Pfleiderer/ Bernhard Richter (Ed.), Lexikon der Gesangsstimme, Laaber: Laaber 2016.

Master of Arts Music and Research @ Basel Academy of Music

The master program is aimed at students who have a high level of competence as instrumentalists/vocalists or composers and music theorists for whom research is a central part of their artistic profile. The core of the program is an artistic-academic research project, which the students develop based on questions which emerge from their artistic practice. The work is supervised by two mentors from the broad spectrum of lecturers at the Hochschule für Musik (HSM) Basel including the institutes of Classical Music, Jazz and the Schola Cantorum Basiliensis. This project work is supported by courses that impart knowledge and skills, especially in the areas of artistic-scientific research methods, like musicology, academic writing, music aesthetics, and research management as well as further developing the students' artistic work. To this end, internships in the school’s research departments or partner institutions (such as the Department of Musicology at the University of Basel or the Paul Sacher Foundation) give students an in-depth insight into research practice. The curriculum is compiled according to the requirements and objectives of their respective projects, thus enabling targeted and individual support. Additionally, research funds can also be applied for via a project fund.

The MA SP Music and Research is conducted inter-institutionally (HSM in collaboration with the Department of Musicology at the University of Basel among others) and is suitable for students interested in pursuing a doctorate (artistic-scientific doctorate or Dr. phil.).