Research through artistic practice – what you might want to call artistic research – has become an explicit part of my artistic identity with my doctoral project which focused on the performance practice of vocal repertoire of the 1950s and 60s. You will find information on this many-faceted project as well as other research activities as part of the research department of the Basel Academy of Music (2011–21) on the projects site.

A substantial part of my professional life is dedicated to teaching in the context of research at the Basel Academy of Music. In the recent years, I have developed 2 new Master's programs at this institution, one of which, the MA in Specialised Performance Music and Research, I am running as head of program. You can find more information about this part of my activities here.